Influenced by the practical effects used in movies like Dead Alive (1992), Evil Dead (1981) and The Young Ones (1982-84), Jahman Maskell’s anarchistic blacksmith and leatherwork follows from his family history, growing up around different types of craftsmanship. Working with the idea of facilitating comfort and discomfort, accessibility and inaccessibility No it ain’t world war four considers how people with no money, no real experience and no backing, made things with what they had and who they knew.